
Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
Read →DJ Tips for Beginners – by Devious Soul Back in the day, when dinosaurs roaming the land, all DJs needed to land a set were serious skills, a bunch of great records and a decent demo tape to wow promoters into booking them. How times have changed, thanks in no small part to the internet and the chan
Read →Native Instruments NYC User Group Meeting The first Native Instruments user group at Garnish Music Production School in Downtown Brooklyn was a well rounded mix of product information, live performance and music business discussion. The setup combined the Jam with the MK3 and the MK2 keyboard. Each
Read →Side-chaining in Ableton beyond the usual compressor: what the gate and auto filter do, and how fast they bring an idea to life.
Read →Devious Soul shares his thoughts on the best portable speakers on the market There once was a time when the above contraption was the only way to make your sounds loud and portable but let’s face it; the 'boom-box' was a pretty cool piece of kit! Alas, as technology has advanced over the years and e
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