
When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →A Fold-button trick for drawing MIDI in Ableton: set the scale once, and the notes you pencil in stay in key.
Read →A ground-up tour of the Logic Pro control bar - the Library, Inspector, Smart Controls, Mixer and Editors - with a demo project to practise on.
Read →Sound design in Ableton's Wavetable synth - slow amp envelopes and free-running LFOs that keep the texture moving.
Read →How to Develop Your Sound Creating a sound that’s unique to you is vital to your career as a musician, or producer. Not only can one say this from an artistic standpoint, but you can say this from a place of branding, too. Every artist should seek to develop a style that genuinely makes them stand o
Read →Music technology training in London, taught by people making records at a high level themselves - from DAW beginners to mixing and sound design.
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