Discover qualities that distinguish us, here.“Taking this course was probably one of the best decisions I have made in my career thus far”
Mandi Perkins
ALC files store a clip's warp settings, automation, devices and effects - a reusable building block for your own sound library.
Read →The loudness wars, and a simple two-step technique that keeps a mix from getting crushed flat.
Read →Mixing Music with Creative FX | Mixing Desk by Mr Steve Powell The signal chain is something always at work whether you’re in the studio, playing around with beats on the computer at home or playing a synthesiser live at a gig. If you are purely a performer, your worry with the signal chain ends whe
Read →Devious Soul interviews DJ/Producer Bodyjack (formerly Chris Finke) UK DJ & producer Chris Finke joined us for a little bit of a Q&A to find out a bit more about his latest moniker ‘Bodyjack’. A former UK DMC finalist and resident at techno institution Atomic Jam, Chris has been around the dance mus
Read →Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →Beginners Guide to Compression By Katie Gilchrest Compression can seem daunting to someone just starting out in the audio production world, but after only understanding a few concepts, the process becomes easier. Use compression to make your mixes sound more professional, polished, energetic and pal
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