Taught at our San Francisco studio, the Partners keeps groups small enough that every student gets real time at the controls. Bay Area producers lead the sessions, and the identical course can be taken live online if that suits you better, using our specialist music collaboration software, Muse.












“Taking this course was probably one of the best decisions I have made in my career thus far”
Mandi Perkins
Whilst sitting reading the latest music news in Garnish HQ, it became more and more apparent what a special year 1994 was for British dance music. With so many clubs, labels and promotions celebrating 20 years in the game during 2014, it’s pretty obvious that something special was stirring in the wa
Read →Acoustic Treatment and Positioning of Studio Monitor Speakers: Okay so now it's time to choose and position your studio monitor speakers and just dip your toe into the wonderful world of studio acoustic treatment. More on this on the Mixing and Mastering course Most people listen to music in their c
Read →Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →Some Ableton effects have no dry/wet control. Here's how to build one with an audio effect rack, two chains and a mapped macro knob.
Read →How Garnish's Logic Pro classes are structured week by week - from what a DAW is, through synthesis and recording, to finishing a record.
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
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