
“Taking this course was probably one of the best decisions I have made in my career thus far”
Mandi Perkins
Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →A ground-up tour of the Logic Pro control bar - the Library, Inspector, Smart Controls, Mixer and Editors - with a demo project to practise on.
Read →Side-chaining in Ableton beyond the usual compressor: what the gate and auto filter do, and how fast they bring an idea to life.
Read →Written On Record Store Day by Devious Soul There was a time when the happiest days of many a DJs life was getting home with a fresh stack of unopened wax. Carefully selecting the tunes in the record shop, ensuring you had enough cash for the double pack, wondering what treasures were lurking under
Read →Rebel Sonix's Larry Holcombe on the basics of dubstep production - where the wobble bass comes from, and how to build one in Massive or the ES2.
Read →Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
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