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When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Mastering Tips for Beginners By Katie Gilchrest Every stage of the recording process matters, but a crucial point for adding continuity, balance and refinement is in the mastering. Mastering wraps up a production, providing flow between tracks, congruous volume levels, and consistent playback on all
Read →Music technology training in London, taught by people making records at a high level themselves - from DAW beginners to mixing and sound design.
Read →Side-chaining in Ableton beyond the usual compressor: what the gate and auto filter do, and how fast they bring an idea to life.
Read →A ground-up tour of the Logic Pro control bar - the Library, Inspector, Smart Controls, Mixer and Editors - with a demo project to practise on.
Read →Native Instruments NYC User Group Meeting The first Native Instruments user group at Garnish Music Production School in Downtown Brooklyn was a well rounded mix of product information, live performance and music business discussion. The setup combined the Jam with the MK3 and the MK2 keyboard. Each
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